Creative controls

A dial on the front is used to select the in-camera JPEG processing mode
A dial on the front is used to select the in-camera JPEG processing mode
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One of the most unusual aspects of the Pen-F is the way it places control over the JPEG processing settings literally at your fingertips, positively encouraging you to experiment with changing them on a shot-by-shot basis. To make the most of this, Olympus offers huge scope for manipulating your images. Aside from the usual set of colour presets for different kinds of subject, it also has Olympus’s signature ‘Art Filters’ which provide a variety of heavily processed looks such as toy camera or grainy film, alongside ‘Color Creator’ which adds a user-controllable tint to the image.

Olympus's distinctive Art Filters include this attractive 'Vintage' mode
Olympus’s distinctive Art Filters include this attractive ‘Vintage’ mode

 

Two entirely new modes also make their entrance – one for colour, and one for black and white. Each offers a choice of three distinctly different looks as a start point, accessed from the onscreen Super Control Panel. The colour mode allows individual hues to be enhanced and suppressed at will, for example accentuating blues while desaturating reds. Meanwhile, the mono mode lets you adjust the tonality of your images by mimicking the effect of using colour filters with black & white film, and adding vignetting and film grain effects.

Olympus's creative controls allow images to be adjusted to suit the lighting. In the late evening sun, here I emphasised the yellows and oranges,
Olympus’s creative controls encourage you to experiment with image processing to suit the lighting. In the late evening sun, here I emphasised the yellows and oranges.

 

To achieve this, Olympus has added two new controls to the Pen-F. A dial on the camera’s front selects the processing mode, and a thumb lever beneath the exposure mode dial gives quick access to the various settings, which are then changed using the electronic control dials and previewed live in the viewfinder or on the LCD. In practice I found it mostly works very well, and encourages a completely different type of creativity while shooting.

In this similar shot taken backlit the next morning, I switched to high contrast black & white
In this similar shot taken backlit the next morning, I switched to high contrast black & white

 

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If you’re the kind of photographer who religiously shoots everything in raw for working up later, this will probably look like a superfluous frippery. However, if you enjoy manipulating your images in-camera and don’t have the time or inclination to sit in front of a computer post-processing, it’s a really interesting approach and one I’ve certainly enjoyed using. Best of all, you can shoot raw files alongside your filtered images, and reprocess them later if you change your mind, either in-camera or on the computer.

Score

Score in detail

  • Features 90
  • Build/Handling 90
  • Metering 90
  • Autofocus 80
  • AWB colour 90
  • Dynamic Range 90
  • Image Quality 80
  • LCD Viewfinder 80
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