Panasonic Lumix FS37 Review – Features

Touchscreen LCDs are increasingly relied upon these days, for smartphones, compacts and other devices, but the performance of these varies from functional to frustrating. Panasonic’s FS37 is of the latest compacts to employ the technology, and with a strong zoom range and HD movie capabilities it seems intent on combining convenient control with high-level specs.

The zoom itself begins from 28mm and travels up to 224mm, and with three aspherical elements in its construction it should do well to correct for aberrations. The lens also squeezes in Panasonic’s MEGA O.I.S. image stabilisation technology, which shifts elements to counter image blur, while the 16.1MP sensor behind it promises to capture plenty of detail.

As with previous Lumix models, Panasonic has graced the FS37 with a range of ‘Intelligent’ technologies. The Intelligent ISO control regulates the camera’s sensitivity to choose the most appropriate setting for the scene being shot, while the Intelligent Scene Selector does the same for scene modes. Intelligent Resolution technology is also present, and is said to adjust processing for different areas of the scene, so that outlines, soft gradation areas and detailed textures are treated to best enhance the details in each.

The display has been fitted with Intelligent LCD technology, to automatically adjust brightness according to shooting conditions. The display itself is a capacitive touchscreen, which measures 3in in size and has a 230,000dot resolution, putting it on a par with similar touchscreen models around this price.

The camera’s standard sensitivity range is a little narrow at just ISO 100-1600, although a further High Sensitivity option increases this to a setting equivalent to ISO 6400. High-definition video recording is on hand, recording to the 720p standard at 24fps, while a range of scene settings cover all the common options in addition to processing effects such as Pin Hole and Film Grain.

Panasonic Lumix FS37 Review – Design

Despite its price tag, the camera’s construction is largely metal which gives it a solid build quality. It’s perhaps a little chunkier than what we’re used to seeing, although considering its 8x optical zoom range this is understandable. Like its zoom range, its design is somewhere in between Panasonic’s cheaper FS models and the superzoom TZ series, with a (very) slight protrusion on one side which serves as a grip, and a more defined ring which encircles the optic.

The top of the camera has the standard power switch, zoom rocker and shutter release button, as well as an Easy Zoom button which immediately zips over to the other extreme of the camera’s lens. The back of the camera, meanwhile, offers no physical controls, only a 3in touchscreen. Most of its buttons are generously sized, although their functions are typically only described by an icon until they are pressed, which isn’t particularly helpful.

The touchscreen itself is of the less advanced capacitive variety, and so isn’t quite as responsive as the resistive screens incorporated into similar models. Its 230,000 dot resolution isn’t particularly surprising at this level, although its narrow viewing angle can sometimes make it difficult to view.