Canon PowerShot SX200
Review Date : Wed, 8 Apr 2009
Author : Paul Nuttall
Test review of the Canon PowerShot SX200 digital camera
|Pros:||PASM control, wedge shape design, control layout|
|Cons:||Permanently popped-up flash, unnatural colours, high-ISO detail mush|
The SX200 IS features a 12 x optical zoom with an equivalent focal range of 28-336mm. It has optical image stabilisation, with a 1/2.33in CCD sensor at 12.1MP. It has a 3in LCD with a resolution of 230K. Full manual control over shutter and aperture plus Full HD video capture with HDMI out socket is provided.
In a fashion befitting the compact superzoom category, the SX200 is larger than your average compact camera, but still small enough to fit relatively easily in the pocket.
The SX200 IS sports a wedge-shaped body, thickening out towards the right hand side of the camera, thus providing a comfortable hold for operating the camera. Whilst the camera is generally well designed, it isn't without flaws.
The problem with the SX200 IS lies in the camera's built-in flash. It's of the pop-up variety, but Canon has chosen to have it pop up whenever the camera is in use, without the option to force it closed. Not only is this a touch annoying when using the camera, but also I'd imagine that it would be fairly easy to break in some way during common day-to-day use.
Lens and focus performance is good, with the lens travelling from the wide to the tele end of the zoom quickly, though in quite a noisy fashion. Autofocus is both accurate and handled in no time at all. Exposures are generally reliable, though it displays a slight tendency to underexposure at times. The camera a sports prompt autofocus system, and there is very little hanging around involved in general use. The menu system is also both intuitive and simple to navigate.
The SX200 IS handles image noise well, with usable results right up to the maximum ISO, at full resolution, of 1600, though does use fairly aggressive noise reduction and thus fine detail is smudged. However, if you're not wanting to handle noise reduction manually in
post production, the SX200 IS makes sense.
The overall look of images produced are slightly flat in appearance compared to others . Colour rendition displays quite unnatural tones, with fairly saturated blue. With such a wide focal range packed into a small body, fringing is always going to be an issue. The SX200 IS struggles in difficult light, with fringing appearing around a subject's edges. At low ISO settings the relatively high pixel count of the SX200 IS helps for fine detail.
Value For Money
The Canon SX200 IS is currently available around the £350 mark, which is fairly pricey. If you look at what the cameras is lacking as a serious shooting proposition, namely Raw capture, it seems a touch expensive. However, it is generally good at what it does, and that is combine a large focal range into a relatively compact body, with few compromises.