Branding_print

Navigation


Shoot Close-ups



feather

feather

There’s a whole world of beauty and wonder, pattern, shape and colour just waiting be be photographed if you can get close enough. Luckily, most digital cameras come with a macro mode ....

1 Look for colour and pattern
Sweeping landscapes are easy to spot, but it can take time to start seeing potentially good close-up photographs, especially when they occupy a space less than 10x8 inches. Look for good combinations of colour and pattern and don’t be afraid to move objects into the right place if they don’t quite fit your compositional plans. Try to position yourself overhead and shoot downwards to ensure that different objects record as shapes in their own right. Soft, even light is best for xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

2 Narrow depth of field
Depth of field is not just influenced by your aperture setting but by your proximity to the subject, too. Shooting an object less than one metre away will create a depth of field of a few centimetres at most, even if you use an aperture of f11 or f16. Of course, this effect can be stunning and will blur out distracting background detail to leave your main subject looking its best. To create the narrowest depth of field possible, set your lens at its maximum telephoto setting and choose the largest aperture possible, such as f2 or f4.

3 Deep depth of field.
There’s no reason why you can’t shoot subjects which have a close-up element, like this fun example. Taken at close range, this ‘in-your-face’ cow portrait gives the viewer a greater sense of being there that a ‘normal’ viewpoint would, and shows the animal in the context of its surroundings. To create this effect, you need to zoom your lens out to its most wideangle, set your aperture to its smallest setting and then get in nice and close. If your camera doesn’t have manual aperture selection, use the Landscape shooting mode for xxxxxxxxxxxxxxxxxx

4 Light and texture
Light is a crucial factor when you are trying to capture textures in your subjects. Sidelighting is much more conducive to this effect than direct, flat illumination, and the slanting, low-angled daylight of early morning or a mid-winter’s day is ideal for revealing texture. Don’t forget to experiment with a range of different compositions when you are shooting in close-up. If you are struggling to find a good close-range subject, try changing your zoom to a more telephoto setting and see what you can isolate further away.


Share this article

email this to a friend

IPC Media Limited, owner of whatdigitalcamera.co.uk, will collect this information solely to process your request.

  • Bookmark
  • Print
  • Comment

Click on a link below to share this article with your favourite link sharing site


Rate this Article

Rate this content

4 stars

1 Votes

Current Rating


Reader comments

Add your comments

No comments have been added yet. Be the first by adding yours below...

Add your comments

Please note that we review all comments before they will appear on our site.

IPC Media Limited, owner of whatdigitalcamera.co.uk, will collect your personal information solely to process your request.

Back to top

What Digital Camera magazine

What's in this issue?

August Cover

What Digital Camera August 2009 Issue

What's In The August Issue? Lets take a look...

Subscribe

Save up to 30%

Subscribe

/







Latest Competitions

PaintShop Pro X2

WIN! A Corel software bundle

Name the camera to win a Corel software bundle

Enter now...


White Collapsible

WIN! A Lastolite collapsible background worth £165!

Answer these questions correctly from this...

Enter now...



More Competitions


Poll

Take part in our poll

What software do you use for editing?

Poll

  • Adobe Photoshop (31%)
  • Adobe Photoshop Elements (17%)
  • Corel Paint Shop Pro (10%)
  • GIMP (3%)
  • Adobe Lightroom (0%)
  • Apple Aperture (3%)
  • Google Picasa (21%)
  • Other (14%)

It may take 15 minutes for the system to update.

See all polls..