The Pentax K-5 II arrives with just a handful of improvements over its predecessor, and it’s launched with a virtually identical Pentax K-5 IIs sibling. But why? Read on to find out in our full review.

Product Overview

Overall rating:

90%

Pentax K-5 II

Design:85%
Image Quality:95%
Performance:90%
Value:85%
Overall score:90%
Features:95%

Pros:

  • Excellent build; Large viewfinder; Very capable AWB; Impressive low-light AF; Reliable metering; Decent customisation and post-processing options; Lower launch price
  • than K-5; Weather-sealing

Cons:

  • Fiddly flash sync cover; Noisy 18-55mm kit lens with softness at wideangle and chromatic aberrations; Awkward focus point selection dial; Not a significant improvement over the K-5

Product:

Pentax K-5 II Review

Manufacturer:

Price as reviewed:

£870.00

Comparisons

Pentax K-5 II review – Comparison

We take a closer look at three of the Pentax K-5 II’s rivals to see how it fares and see if there are better models out there for your money.

Pentax K5 front

Pentax K-5

Resolution

Both cameras feature a 16.28MP APS-C sensor, so here they are tied (although the lack of an anti-aliasing filter in the K-5 IIs gives it a resolution advantage over the K-5).

WINNER: DRAW

Display

The K-5 II and K-5 IIs are said to benefit from the removal of the gap between the LCD and the outer panel, helping with visibility. This difference is small but it’s definitely there.

WINNER: PENTAX K-5 II

Viewfinder

The same pentaprism viewfinder with approximately 100% coverage has been used in both the K-5 and the K-5 II, so here the two cameras are tied.

WINNER: DRAW

AF system

The SAFOX X AF module inside the K-5 II is similar to the K-5’s SAFOX IX module, although it is more sensitive in lower light and has improved AF tracking.

WINNER: PENTAX K-5 II

Canon EOS 60D

 

Canon EOS 60D

Resolution

Both cameras feature an APS-C sensor, although the Canon EOS 60D just squeezes in a little more: 18.1MP versus the 16.28MP of the K-5 II.

WINNER: CANON EOS 60D


Display

While the extra 110k dots or so of the EOS 60D’s screen over the 921k display on the K-5 II makes little difference in practice, the 60D’s side articulation does make it more flexible.

WINNER: CANON EOS 60D

Viewfinder

Both cameras feature large, bright pentaprism viewfinders, although the EOS 60D’s 96% (approx.) coverage is behind the 100% (approx.) coverage offered by the K-5 II.

WINNER: PENTAX K-5 II


AF System

Both cameras offer nine cross-type points as part of their AF system, although the K-5 II has a further two single-orientation points to make 11.

WINNER: PENTAX K-5 II

Sony A65

Sony A65

Resolution

Both cameras use an APS-C sized sensor – the Sony sensor being marginally smaller – although it’s the A65 that has the resolution advantage, with 24.3MP next to the K-5 II’s 16.28MP

WINNER: SONY A65

Display

While the displays on both the K-5 II and the A65 measure three inches and have 921k dots, the articulation of the latter camera’s display makes it better suited to a variety of shooting positions.

WINNER: SONY A65

Viewfinder

The viewfinders on both cameras offer an approximate 100% coverage of the scene, although the A65 has an EVF while the K-5 II has an optical viewfinder. Here it’s more down to personal preference.

WINNER: DRAW

AF System

The A65’s 15-point system only features three cross-type points, while the K-5 II’s system sees nine cross-type points out of a total of 11. Both systems have their pros and cons, so it’s a draw again.

WINNER: DRAW

Summary

While the Pentax K-5 II does indeed present a few advantages over its rivals (as well as its predecessor), it is bettered by other cameras in a number of areas. As an all-rounder it does well, but if you regularly shoot at awkward angles, or plan on making enlargements, you may be better off with either the Sony A65 or the Canon EOS 60D. Those shooting in low light may also appreciate the A65’s EVF. Other models to consider in this price range include Nikon’s D5200 and Sony’s A77.

Details

Colour Space:sRGB, AdobeRGB
Drive Mode:7fps
Focusing Modes:Auto, single, continuous, manual
Shutter Speeds:1/8000-30 sec, bulb
Video:Yes
ISO:100-12,800 (exp. to ISO 80-51,200 equivalent)
White Balance:Auto, Daylight, Shade, Cloudy, Fluorescent (four types), Tungsten, Flash, custom
Lens Mount:Pentax KAF2
Built-in Flash:GN 13m at ISO 100
Memory Card:SD, SDHC (SDXC via firmware update)
Exposure Comp:+/-5EV (adjustable in 1/3 or 1/2 EV steps)
Cable Release:Optional
Compression:Good, better, best, premium
PC Socket:Yes
Viewfinder Type:Pentaprism
Output Size:4928 x 3264
LCD:3in TFT LCD, 921k dots
Field of View:Approx. 100%
Colour Temp Control:Yes; 2500 to 10,000K
AF Points:11; all cross-type
White Balance Bracket:Yes
Sensor:23.7mm x 15.7mm (APS-C), 16.3MP effective
Max Flash Sync:1/180sec
Focal Length Mag:Approx. 1.5x
DoF Prview:Yes
Built-in Image Stabilisation:Yes; sensor based
Dust Reduction:Yes
Metering System:77-segment TTL system
Movie Mode:1920 x 1080 (25fps)
Connectivity:USB 2.0, mini HDMI
Exposure Modes:PASM, Green, Sensitivity Priority, Shutter and Aperture Priority
Live Mode:Yes
Dimensions:97 x 131 x 72.5mm
File Format:Raw (DNG/PEF), JPEG
Power:Rechargeable Li-ion battery
Weight:760g (including card and battery)
  1. 1. Pentax K-5 II review – Features
  2. 2. Design
  3. 3. Performance
  4. 4. Image Quality
  5. 5. Verdict
  6. 6. Comparisons
Page 6 of 6 - Show Full List