The 10-megapixel Olympus E-510 replaces the E-500 with improvements to the Live View and dust removal systems.

Product Overview

Overall rating:

90%

Olympus E-510

Overall score:90%
Features:95%
Value:90%
Performance:85%
Image Quality:90%
Design:90%

Pros:

  • Noise control, Dual mode, image stabilisation, live view LCD mode, Supersonic Wave Filter.

Cons:

  • SHQ JPEG burst depth slightly limited, limited dynamic range.

Product:

Olympus E-510 Review

Manufacturer:

Price as reviewed:

£600.00

Features

New Technologies

Cast an eye down the respective spec sheets of the E-500 and E-510 and it’s immediately clear that the newer model features a number of Olympus technologies not found on the older one.

For a start, the E-510 employs a 10-million-pixel LiveMOS sensor and a new processing engine, dubbed Truepic III that boosts the continuous shooting rate to eight Raw frames or unlimited High Quality (HQ) JPEGs at a rate of three frames per second. In addition, the E-510 now uses a USB 2.0 Hi-Speed connection.

Image Stabilisation

However, the main thing that marks the E-510 apart from its smaller sibling is the inclusion of in-camera Image Stabilisation. This is achieved through the inclusion of a ‘mobile’ sensor that moves to counter the effect of camera-shake. This has the effect of turning any Four Thirds lens into an image-stabilised one. Two stabilisation modes are available in this instance – one that works to counter both horizontal and vertical shake and a second that counters only vertical shake, so if you’re panning with your subject (at a motor sport event, for example) the camera doesn’t try to correct for this deliberate movement.

Exposure Metering

The E-510 also provides one of the most comprehensive exposure metering systems on any digital SLR, comprising 49-zone ESP metering, centreweighted and spot patterns, with the obligatory highlight and shadow spot options that only Olympus uses.

Shooting Modes

The E-510 features the standard PASM range of shooting modes, along with 18 Scene modes and fully automatic. In Auto ISO it will be restricted to ISO 100-400, whereas more adventurous types can manually set the ISO between 100 and 1600 in precise 1/3EV increments. The camera can shoot in Raw or JPEG (or both), with dual media slots for xD and CompactFlash cards.

  1. 1. Introduction
  2. 2. Features
  3. 3. Design
  4. 4. Performance
  5. 5. Image Quality
  6. 6. Value For Money
  7. 7. Verdict
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