A new family of lenses for DSLRs intended for film-shooting have been announced by Carl Zeiss. The CP.2 range of prime optics can shoot un-cropped footage on a full frame body, and have a number of different mount options.

The lenses offer a longer focus rotation, meaning performing a focus pull on camera while recording is far easier. The end lens diameter will be of a standard photographic size, making it far easier to utilise existing filter sets and adapters. Lens mounts will also be interchangeable, so if a new system is purchased the lenses needn’t be discarded. Canon EF, Nikon F and Arri Cine camera PL fits have been announced at launch. 

For more information go to www.zeiss.com

Press Release

The trend of filming in high definition using a digital SLR camera is unstoppable. Moviemaking today is unthinkable without this technique, whether for independent filmmakers, television producers or professional still photographers who wish to expand their services. Optics specialist Carl Zeiss now introduces the world’s first set of cine lenses designed especially for HDSLR cameras: the Compact Prime CP.2 lenses. 

Why change the mount on the camera when you can change it on the lens? The Compact Prime CP.2 lenses deliver great flexibility by introducing interchangeable mounts that allow the lenses to be used with a wide range of cameras, from traditional cine to HDSLR systems.

Available with three different mounts – PL, EF and F – this new family of ZEISS lenses enables cinematographers to be completely free in their choice of camera systems while ensuring a high consistency of images. Furthermore, the lenses can be upgraded to any number of existing or future cine and still cameras while enabling cinematographers to still utilize the same set of lenses. 

Like their predecessors, the Compact Prime CP.2 lenses are made for a rigorous life on the set. The ergonomics have been improved compared to standard SLR lenses. The lenses’ cine-style housing dimensions, focus and iris gear positions, and front diameter are the same for the standard lens set. The longer focus rotation and the possibility for manual focus give users the flexibility they demand. The iris opening consists of 14 high-precision blades, which stay consistently round and symmetrical over the entire T-stop range. This translates into natural and pleasing out-of-focus highlights and a smooth bokeh. Together, they help create and capture special moments on film. The modern lens design and tight tolerances ensure low distortion, high resolution and excellent color rendition for sharp, punchy images.



The Compact Prime CP.2 lenses cover a full-frame 24 x 36 image format without vignetting. They will be based around a common aperture of T2.1 for the standard set, which is an improvement over the first generation of lenses. 

Carl Zeiss will present these new lenses for the first time at the NAB show in Las Vegas (April 10-15). They will be available from June 2010

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