Olympus TG-620 Review
Review Date : Wed, 4 Jul 2012
Author : Doug Harman
Olympus’ latest range of Tough digital compacts are, says Olympus, designed to provide rugged good looks with great image quality. The Olympus Tough TG-260 sits within the latest Tough set of cameras, below the higher specified TG-820 and the TG-320 – we find out if it is any good.
|Pros:||Image quality, Rugged build, 1080P HD video, Responsive, Features|
|Cons:||Jog controller a little wayward, Zoom lever position and use, Video button and use, Underpowered flash, Occasional video focusing issues, Not negatively buoyant|
Alongside the other members of the Olympus Tough series of digital compacts, the TG-620 offers the ability to take photos almost anywhere thanks to a build that gives waterproofing down to a depth of five meters and shock proofing that it can shrug off a drop from one and a half meters and can operate effectively at temperatures down to minus 10 degrees centigrade.
Available in five colours that include a vivid green, a ho hum black, an intense reddish pink, an electric blue (tested here) and bright white, the 12-megapixel model is certainly rugged, though it lacks the all-metal bodywork of its higher specified sibling, the TG-820, with plastic forming the back and sides. This is most noticeable when using the camera's port hatches; one on the side for the HDMI/USB port cover and the battery/memory card cover on the camera's base.
The hatches lock (which is brilliant) and have effective dirt and water seals, but their plastic-ness is at odds with the rest of the camera making them feel unduly flimsy.
Olympus Tough TG-620 Review - Features
As well as the ruggedised build and the backlit 12-megapixel backlit CMOS sensor, you get a 5x F/3.9 to F/5.9 optical zoom lens with a focal length range of 28mm to 140mm, in 35mm film format terms. The lens sits at the top left (from the front) of the camera body and is pretty useful though the aperture range is rather limiting in darker conditions. The lens lacks a protecting slide away shield but is sat inside a recessed frame that helps protect it from the knocks and bumps it's sure to get if used as the designers intended; when swimming, hiking, climbing and so on.
A small flash unit sits alongside the lens, central on the camera's face and is accompanied by a LED lamp that can be used when shooting in certain modes, such as when shooting in the camera's excellent super macro setting and it helps get extra lamination onto very close subjects as a result. I found it to rather overpowering however for said macro work, which is a shame.
You have dual image stabilisation (optical and software) to help deal with camera shake and subject blur while the camera's TruPic VI image engine (initially developed and used in the companies D-SLR models) and Olympus' iHS (Intelligence, High Sensitivity and High Speed) technology combine well and are designed to help you get better shots in less than ideal circumstances for the former and make the camera very responsive in the latter.
This combination, designed to improve low-light performance and speed and enhance scene and subject recognition makes it great for fast-moving subjects, night or low light scenes (such as those I have taken within a local church) and it seems to work well too. The TG-620 is able to shoot 1080P HD videos and Olympus' clever Magic Filters that can be used when shooting stills to add pizzazz and fun effects to your shots can also be used in video capture too.
The autofocus is indeed fast, as is the overall performance, and the camera has a neat HDR Backlight Adjustment system that combines a series of separate photos to give a better exposed final image, and it works well, particularly in situations where, for instance, you're shooting strongly backlit subjects. It's less successful for moving subjects however where you can get blurring on swaying tree branches and plants, for example.
Other neat kit that comes within the TG-620 includes a 3D photo mode, Face detection AF that actually works well and 18-scene modes that include the usual suspects such as portrait and landscape as well as Pet detection modes for dogs and cats. The AF is supported by iAuto and AF tracking systems while soupier resolution zoom helps take better digital zoom shots, but only just. You also have EyeFi memory card compatibility and the SD format cards, slot alongside the Li-ion rechargeable battery, that is still going strong after a week's work that includes much video and still shooting and reviewing too.
The camera's 3in 460k dot, HyperCrystal screen is very nice to use and provides a clear crisp view in all but the very brightest of direct sunlight; there's no optical viewfinder.
Olympus Tough TG-620 Review - Handling
The Olympus Tough TG-620 is certainly compact and easily pocketable; the on/off switch is recessed on the top plate, next to the large shutter release. Further along, toward the right hand edge of the camera we find a small, plastic zoom rocker and it is this where my first foible rears its head. The shape and position of the zoom switch is logical but it's too fiddly to use, difficult to manipulate using the camera one handed and should either be slightly bigger (more proud of the camera's surface) or less stiff in use.
The camera's menus are typical of Olympus compacts, offering a comprehensive set of features and modes from the Menu button as well as having direct access to shooting settings from the display while snapping by oppressing the OK/Jog button.
The OK/jog button is prominent and while it's size makes it better to use wearing gloves, say, it is sluggish to use in menus and settings, where there seems to be a distinct delay between moving the OK button and that being reflected in a menu or setting change.
The playback button allows viewing of your pictures and videos with the camera is switched off while the clever ‘?' button activates the guided help system for photos and video or, when the camera is off, activates a cool date and time display while last up there's a small direct video record video button, protected by a small shield, is, like the lens zoom lever, rather too fiddly to operate, particularity wearing gloves, than is ideal.
The other thing that always mystified about by the Tough cameras and similar cameras from other makers is their lack of negative buoyancy. If you don't wear the camera strap and you drop the camera when, say, snorkelling in deeper water, you'll just have to watch it sink out of site unless you grab it quick.