Review of the Nikon D3

www.nikon.co.uk
The Nikon D3 is arguably the most anticipated camera of recent times. It stands out from the pack on several fronts. First, it’s Nikon’s most highly specified camera to date, aimed at the pro market mainly, but is sure to be picked up by the more comfortably-off enthusiast.

Second, it’s Nikon’s first full-frame DSLR, which means that the sensor is the same size as a traditional 35mm frame.
Third, it bridges a gap between its two predecessors, the D2XS and the D2HS. This is possibly the most interesting concept behind the camera. Where previously photographers had to choose between the high resolution D2XS and the low resolution but faster D2HS, the D3 has combined the two into one body. This allows press photographers, say, which is Nikon’s traditional pro market, to shoot high-res for magazine work, or shoot to a fast frame rate for sports or news stories. To a working professional this means they only need to buy one camera, so saving £3,000 immediately.

Features
The Nikon D3 should be reasonably familiar to users of other Nikon cameras, whether digital or the high-end film cameras. It has the usual set of PASM modes, but no scene modes that you’d find on low- to mid-range cameras.